Wednesday, March 10, 2010

Ajapajapam (Or Something Close)- third draft

Mild-eyed Euryphaessa has birthed
nigh on seventy-four full-formed far-winged daughters
since last we basked in the glow of the perfect pitch
of her favored kin and her consort that night, star-fathering Astraios.
But we have always foregone the horological
invocations of our old dead predecessors.
We wrote our masterworks in fiery touch
when we were still the kids we claim to keep alive;
we seared with fingers a thousand odes across our ribs,
as many sonnets in the smalls of our backs,
and 'canted glorious hymns down each others' throats.
As we sang to each other then, modulating our natural harmonies,
you bit my lip, not for the first time.
Do you remember? I bled, just a bit. You called it purification.
You told me it was my self-punishment for an imagined sin,
then apologized for any suffering I caused myself. You cried
for just an instant, the pale cold oceanic salt blur hitting your own lips
in one of those too-perfect movie moments you loved to hate to love.
You shared that moment with me, the mutual sting of sodium and iron
jumpstarting our youthful frames, and we toppled back to our bed of Mayan
blanket, crumpled clothes, and discarded skin cells.
The night's cycle began anew, birthing the stuff
from which details are later selected, rejected,
detested, rejoiced, and, ultimately, retold.
Slowly, though, we burned through our hours,
and dawn crested her first fierce glare over the horizon-line.
You swore against her, at first under your breath, then screaming exposed her
for the thieving whore she proved to be. You promised (though to whom,
I now would ask) that this night would not be our last.
Your tears this time were not momentary, but a pathos-flood
of embittered rage and choked grief the force of which
brought me to likened lows. With deepest hesitation we parted,
and with sorrow deeper yet we have passed these years apart;
the creep and lurch of time inevitably brought
the quelling of our flames, the rasping of our throats,
the far-flinging end of our prodigious union.
I'm told it was Osiris and his gods of the Nile
who blew us seven-hundred-some miles apart, but
we always screamed youth's empassioned defiance
to whoever was listening once we fell, panting, sweat-slicked,
apart. Do you remember? We rejected the printed page
as the passive empty delusion of an age
that has lost its connection with the fundamental Chaos
by which our lives have always been tethered.
And here I am, writing of you. Writing not in the
ears or flesh of those who came after, not in
the long languorous spirals of skin-against-skin,
but in short rapid keystrokes devoid of meaning
and frozen in intent, frozen in the permanence
that we denied as devolutions of our human spirits.
Here I am, writing of you, not speaking with you,
not revelling in your passion; you were always the better me.
Even then, six years ago to the day, under that nigh-empty sky,
you were all I strove to be. Tonight, the moon is full.
You know, that night, the moon was just past new,
but we couldn't hardly care. We were more like children then,
together, and we had full moons of our own. We danced in
the moonless black, and even Astraios took his gracious leave;
our revelry was our own that night, six years ago to the day.
Our roadside field has been razed repeatedly since then-
controlled burns, wildfires, arson. I know what you'd say.
Erase the past. Destroy it utterly. Forget there
ever was a past. Recall only what is to come, and then forget that.
Confabulate if anything must be said- keep the symbols and
the signs, but honor the meager truth with improvements
by the infinite fancies of time, honor those long-ago songs
with new refrains bettered by the palliative of age.
But shades of reverie have often across the six-year expanse
grimly visited with infectious ire the still-opened gash,
though now in repose I find again the troubling pull of reflection,
from which, this time, comes not that wallowing in grief which
you predicted with your angry shouts to the rising sun
(and which has come in every retrospective reverie yet),
but the returning vestiges of ecstatic wonder that do not dampen
current spirits, but inspire to greater heights the efforts of future exploits.

(copyright a(scetic)verse March 09 2010)

Monday, March 1, 2010

Ajapajapam (Or Something Close)- second draft

Mild-eyed Euryphaessa has birthed
nigh on seventy-four full-formed far-winged daughters
since last we basked in the glow of the perfect union
of her favored kin and her consort that night, star-fathering Astraios.

We have always foregone the horological
incantations of our old dead predecessors;
we wrote our masterpieces in fiery touch
back when we were still the kids we claim to keep alive,
we seared with fingers odes across our ribs,
sonnets in the smalls of our backs,
sang glorious hymns down each others' throats.

I'm told it was Osiris and his gods of the Nile
who blew us seven-hundred-some miles apart, but
we always screamed youth's defiance and death
to whoever was listening after we fell, panting, sweat-slick, apart.
Do you remember? We rejected the printed page
as the passive empty delusion of an age
that has lost its connection with the principle of Chaos
by which our lives have always been tethered.
And here I am, writing of you. Writing not in the
ears or flesh of those who came after, not in
the long languorous spirals of skin-against-skin,
but in short rapid keystrokes devoid of meaning
and frozen in intent, frozen in the permanence
that we denied as devolutions of the human spirit.
Here I am, writing to you, not speaking to you,
not revelling in your passion; you were always the better me.

Six years to the day, and the moon is full.
You know, that night, the moon was just past new,
but we didn't care. We were more like children then - together -
and we had full moons of our own. We danced in
the moonless black, and even Astraios had taken his leave;
our revelry was our own that night, six years ago to the day.

The roadside field has been razed repeatedly since then-
controlled burns, wildfires, arson. I know what you'd say.
Erase the past. Destroy it entirely. Forget there
ever was a past. Recall only what is to come. Then forget that.
Confabulate if anything must be said- keep the symbols and
the signs, but honor the meager truth with improvements
by the infinite fancies of time.

As we sang to each other, modulating our natural harmonies,
you bit my lip, not for the first time.
Do you remember? I bled, just a bit. You called it purification.
You told me it was my self-punishment for an imagined sin,
then apologized for any suffering I caused myself. You cried
for just an instant, the pale cold oceanic salt blur hitting your own lips
in one of those too-perfect movie moments you loved to hate to love.
You shared that moment with me, the mutual sting of sodium and
iron
jumpstarting our youthful frames, and we toppled back to our bed of
Mayan
blanket, crumpled clothes, and discarded skin cells.
The night's cycle began anew, birthing the stuff
from which details are later selected, rejected,
detested, rejoiced, and, ultimately, retold.
Now in recall I find not the wallowing of grief you
predicted with your angry shouts to the rising sun,
but the vestiges of ecstatic wonder that do not dampen current spirits,
but inspire to greater heights the efforts of future exploits.

(copyright a(scetic)verse, March 01, 2010)

Wednesday, February 17, 2010

On Hipsters

These sun-starved soul-sick lonely vagrant boys
commit themselves to only blank pages;
the words they spill, they leave as only ploys;
they say their verses are their own cages,
but each vagrant boy in silence rages
against his tepid urges and passions.
The settling dust accrues across ages,
atop each book, designed after fashions,
as each vagrant boy takes drugs as rations,
and calls himself a maker of the truth.
What use could they make of sweet compassion's
warm touch? For they are the world's uncouth,
adrift and wayward, cast to sea, lost in
dreamy tarnished glory, and far too thin.

Marching Song

My person out of many people grew,
steeped hot in many climes of human thought;
of their best parts, as Pallas born anew,
fresh from their forge, my better self was wrought.
In caution's clasp my fancies were arrest,
lost but for verse's sweet escape from flesh,
'til their many characteristics blest
enraptured verse which with their strength enmeshed.
What lies inside the secret hearts of men,
which little keys the light of day doth bring!
How harsh the burn, how fierce the field! But then,
how sweet the day, and too, how right the sting.
Parades of youth to tides of time are lost,
but change's mark is on my soul embossed.

Thursday, February 4, 2010

Oneiroic Ode

Awakened I with some slight im-
perfection rent from Sleep's sweet shadow realm,
haloed 'round with vision, song, and storm, and him,
smoky, bright Morpheus, sand, and cloak, and helm.
Prophetic cries burst from him of fancy and dread,
graven portentious dream things of sleep and rest!:
"Wake ye not, die ye not, for the middle places are the bed
of human want and human need. 'tis best
to 'void low depths. Sleep's realm has idylls vast.
Soporific veils may cast on thy soul
a pallor which life nary at first hast,
but this pallor's peace make thee at last whole.
Find in my dream palace your own wide berth,
create for thee thy own true human worth."

Sunday, January 3, 2010

Doing Lines

Layover in O'Hare,
just a quick jaunt from
one plane to another.
No more than twenty minutes,
vast hordes of us do it
every day.

-

zephyr threw a glance
in our direction as
the branches chattered
their derision, drowning
the gentle sussurus of
breath and skin-against-skin,
but that brief notice
of our deviant bliss
was all the world cared
to muster, the enormity
of our shared sphere

-

Drunk enough I'm sweating rice
in this Harajuku hell.

-

The winter and the people
seem a little colder here,
lost as I am
in the midst of boulevards
and avenues named after fruits.
What will our descendants,
a thousand years from now,
think of us when they see
the products of our ubiquity,
the likeliest signs of us to remain,
our chalk hopscotch boards,
our crayoned walls, our
hand-outlined festive turkeys,
our ten-thousand-piece puzzles,
the closest things to art our housewives
will ever achieve?

(copyright a(scetic)verse, January 03, 2010)